Who was the architect of the Tempietto?
Donato BramanteTempietto / ArchitectDonato Bramante, born as Donato di Pascuccio d’Antonio and also known as Bramante Lazzari, was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter’s Basilica formed the basis of design executed by Michelangelo. Wikipedia
Where is Bramante’s Tempietto?
Rome
Tempietto, small circular chapel erected in the courtyard of San Pietro in Montorio in Rome on the supposed site of the martyrdom of St. Peter. It was commissioned by Ferdinand and Isabella of Spain and was built in 1502 after designs made by Donato Bramante.
What is the importance of the location of Bramante’s Tempietto?
At the time of construction it was believed to be the location St. Peter has been crucified on an upside down cross and the Tempietto was to be part of a memorial for the saint.
What is Tempietto Italian?
Tempietto (Italian: “small temple”) generally means a small temple-like or pavilion-like structure and is a name of many places in Italy: San Pietro in Montorio#The Tempietto in Rome, a tomb by Donato Bramante.
What does the Tempietto mark?
Both the building’s scale and form accorded with its function. Indeed, it was not built as a church but rather as a monument marking the site of Peter’s death.
What is the history of the Tempietto?
See Article History. Tempietto, small circular chapel erected in the courtyard of San Pietro in Montorio in Rome on the supposed site of the martyrdom of St. Peter. It was commissioned by Ferdinand and Isabella of Spain and was built in 1502 after designs made by Donato Bramante.
Why is the Tempietto considered a High Renaissance architecture?
Remarkable for its elegantly simple reinterpretation of classical forms, the Tempietto is regarded as one of the finest examples of High Renaissance architecture.
How was the Tempietto protected by the royal family?
During the seventeenth century, royal interest in the Tempietto was expressed through works sponsored by the monarchs at San Pietro in Montorio. In 1604-1605, King Philip III funded a new road to the monastery and the partial rebuilding of the dome to protect the Tempietto.
How does Bramante design the courtyard?
Bramante designed a clear figural object within the figural voided courtyard (image 1). Bramante also designed the courtyard with a circular further reiterating center. In addition, the edges of the courtyard would be circular as well. All of these concentric circles are reinforcing a centrality of the object within the courtyard.